Louise Brooks
Biography
Mary Louise Brooks (November 14, 1906 – August 8, 1985) was an American film actress and dancer during the 1920s and 1930s. She is regarded today as an icon of the Jazz Age and flapper culture, in part due to the bob hairstyle that she helped popularize during the prime of her career.
Brooks began her career as a dancer. While dancing in the Ziegfeld Follies in New York City, she came to the attention of Walter Wanger, a producer at Paramount Pictures, and was signed to a five-year contract with the studio. She appeared in supporting roles in various Paramount films before taking the heroine's role in Beggars of Life (1928).
Dissatisfied with her mediocre roles in Hollywood films, Brooks went to Germany in 1929 and starred in three feature films that launched her to international stardom: Pandora's Box (1929), Diary of a Lost Girl (1929), and Miss Europe (1930); the first two were directed by G. W. Pabst. By 1938, she had starred in seventeen silent films and eight sound films.
After retiring from acting, she fell upon financial hardship and became a paid escort. For the next two decades, she struggled with alcoholism and suicidal tendencies.
Following the rediscovery of her films by cinephiles in the 1950s, a reclusive Brooks began writing articles about her film career; her insightful essays drew considerable acclaim. She published her memoir, Lulu in Hollywood, in 1982. Three years later, she died of a heart attack at age 78.
[preceding biography, edited, from Wikipedia]
Filmography
Diary of a Lost Girl
as Thymian Henning 1929
Beggars of Life
as The Girl (Nancy) 1928
The Canary Murder Case
as The Canary 1929
A Girl in Every Port
as Marie / Mam'selle Godiva 1928
The Love Goddesses
as (Archive Footage) 1965
Miss Europe
as Lucienne 1930
Overland Stage Raiders
as Beth Hoyt 1938
It's the Old Army Game
as Mildred Marshall 1926
Louise Brooks: Looking for Lulu
as Herself (archive footage) 1998
God's Gift to Women
as Florine 1931
The Show Off
as Clara 1926
It Pays to Advertise
as Thelma Temple 1931
Why Be Good?: Sexuality & Censorship in Early Cinema
as Self (archive footage) 20071001 Films
as (archival) 1989
Lulu in Berlin
as Herself 1984
Love 'Em and Leave 'Em
as Janie Walsh 1926